Friday, February 7, 2020

LET IT BE....BEATLES: THEIR SONGS AND THEIR STORIES



You know them, you love them, but DO YOU WANT TO KNOW A SECRET? Just kidding, these facts are no secret, but they may be some you’ve never known about this sensational group. With the upcoming concert, Let it Be! Beatles, it was only appropriate to talk about the concert and the songs that will be heard!

For this one, I went a little crazy, studying every song and researching specific facts and stories about them!  Enjoy.


The Michigan Philharmonic will be performing Let it Be! Beatles which is a concert full of the Fab Four’s greatest hits, some compiled into six different arrangements, two songs which will be played individually, all being performed to create ONE night of FAB FUN!





Arrangement #1: (Bob Lowden)

Remembering the Beatles
[Eleanor Rigby; Yesterday; A Hard Day’s Night; Fool on the Hill; Something; Please Please Me]




Album: Revolver
Written by: McCartney
About: A lonely spinster and the solitary priest who buries her. It was the group’s first song written in the first person AND their first on the subject of a named individual. When originally pitched to the band and Liverpool mate Pete Shotten, McCartney originally used the names Daisy Hawkins and Father McCartney in the songs (whhhhattt!). Shotton suggested McKenzie after picking it out of a phonebook (a what? Holy Retro!) After that, the whole band added a little something to the song. Starr suggested the Father was “Darning his socks,” and Harrison came up with the infamous “look at all the lonely people.” McCartney chose Eleanor Rigby, for Beatles’ Help! Costar Eleanor Bron and a store in Bristol (neat!). It peaked at #1 on September 24, 1966!


Yesterday


Album: Help!
Written By: McCartney
About: Here’s how the story goes; McCartney woke up one morning with the song’s music and lyrics fully formed. He thought he may have subconsciously stole the song from someone else, and took time to perform it for numerous people, using the phrase “Scrambled Eggs” as a placeholder until he arrived at “Yesterday.” This song was a pivotal work for the group, with the lyrics being something that most adults could embrace, “signaling a depth of introspection and a loss of innocence.” (DEEP). It peaked at #1 on October 9, 1965!

Paul 2, rest of Beatles 0






Album: A Hard Day’s Night
Written By: Lennon & McCartney
About: On the evening of April 13, 1964, Lennon wrote “A Hard Day’s Night,” the same day that director Dick Lester decided to name the Beatles’ first film that. Lennon wrote a majority of the songs for this album as well as the follow-up, Beatles for Sale. (Go John!). McCartney recalls Lennon offering to write the song, and coming back to the studio the following day with the completed song. The lyrics were written on the back of child’s birthday card – which is now in the British Museum in London! It peaked at #1 on August 1, 1964!




Album: Magical Mystery Tour
Written By: McCartney
About: Who’s the fool? Apparently the fool is the Maharishi (Indian guru), whose detractors dismissed him for his high-pitched laugh and constant smile. McCartney wrote the song while visiting his father. The arrangement may be simple, but the piece contained many overdubs. Engineer Ken Scott said it was NOT fun to get two tape machines to line up, the original track and the flute track were different speeds and HARD to line up! A GIANT round of applause for KEN!





Something


 Album: Abbey Road
Written By: Harrison
About: One of Harrison’s best songs, which is odd since Harrison uncharacteristically wrote it on the piano! The opening line comes from the James Taylor song “Something in the Way She Moves.” “Something” is said to be the second most covered Beatles’ song, after “Yesterday.” It peaked at #1 on November 29, 1969!







Album: Please Please Me
Written By: Lennon & McCartney
About: The Beatles’ second single, but it almost was not that way. Their manager wanted the group to record a teen bop written by a professional songwriter, but John and Paul offered this song instead. To compromise, their manager took the song, but advised them to speed it up to its known speed – and they did. It peaked at #1 on March 14, 1964!








Arrangement #2: (Henry Mancini)

Portrait of the Beatles
[All My Loving; And I Love Her; A Hard Day’s Night; Michelle; Norwegian Wood (This Bird Has Flown); Yesterday]










Album: With the Beatles
Written By: Lennon & McCartney
About: In May 1963, The Beatles were on tour with Roy Orbison and McCartney penned the lyrics to this tune while en route to the next gig – was the first song he ever wrote the words first! (Fun fact!). Upon arriving at the next venue, Paul quickly found a piano backstage and picked out chords for it. He originally wanted the song to have a country-western flare, although it is more of a rock song, Harrison’s guitar solo gives it the twang McCartney originally envisioned.




 
If I Fell / And I Love Her single artwork
Album: A Hard Day’s Night
Written By: McCartney & Lennon
Album: McCartney was in love with actress Jane Asher in 1964 and soon moved in with her and her parents, where this song was written. McCartney was impressed with his own work and liked that he only mentions the title once throughout the song. The Beatles attempted to use their electric guitars, but opted for a gentler acoustic sound (good choice, fellas). It was criticized for being to repetitious, so they added a key change!! (God bless the F sharp minor to G minor, we got a song!)




“A Hard Day’s Night”

See above.




Michelle
 

Album: Rubber Soul
Written By: McCartney
About: This tune was inspired by music of the fifties and originally started as a joke, as McCartney saw some guy singing a French song at a party he attended. McCartney performed it as a party piece with nonsensical French lyrics, until Lennon knocked some sense into him and made it a proper tune (Thank you John!). With the help of Jan Vaughan, a friend’s wife, who was a French teacher, he was able to develop proper French lyrics for the song. The melody and bass are played simultaneously and was inspired by Chet Atkins’ style of finger-picking. Lennon suggested repeating the “I love you” in the refrain, imitating Nina Simone’s version of “I Put a Spell on You.”





Album: Rubber Soul
Written By: Lennon
About: Lennon wrote the song while vacationing with manager George Martin and their wives in the Swiss Alps. Martin broke his foot, causing the group to spend most of the trip indoors. Lennon used the time to write songs for Rubber Soul, this being one....and it was about one of Lennon’s extramarital affairs.




“Yesterday”

See above.





Arrangement #3: (Jack Bullock)

The Beatles Remembered
[Do You Want To Know A Secret?; From Me To You; I Saw Her Standing There; She Loves You]




Album: Please Please Me
Written By: Lennon & McCartney
About: Very lightweight, and perfect for the youngest Beatle, George Harrison to sing, as it suited his innocent demeanor. Lennon was the primary composer and wrote the tune Fall 1962, deriving the opening lines of the song from “I’m Wishing,” a song featured in Walt Disney’s 1937 Snow White and the Seven Dwarfs. (His mama used to sing it to him when he was younger….aw!)





 
Single Cover Art, Italy
*Was featured as a single, not included on a Beatles’ album
Written By: Lennon & McCartney
About: Third single written and first not to be included on an album. It was also the first to top all of the U.K. charts and was the start of Beatlemania! It was written on February 28, 1963 while on tour with Helen Shapiro.








Album: Please Please Me
Written By: Lennon & McCartney
About: Songwriting began in fall 1962 when McCartney started working out chords on an acoustic guitar. It was originally called “Seventeen,” and speculated to have been written for McCartney’s then-girlfriend Celia Mortimer, who was 17 at the time. The lyrics were completely finished a month later by Lennon and McCartney, changing the original line “she was just 17, never a beauty queen,” to the more suggestive “you to know what I mean,” which McCartney loved because we don’t know what he means (Silly guy). Another fun fact: the “one-two-three-four” count-in at the beginning of the song was added on the NINTH take of the song, to make it seem like it was recorded live. (ok sneaky petes)





*Was featured as a single, not included on a Beatles’ album
Written By: Lennon & McCartney
About: This song, was, and remains, the best-selling single in the U.K. It was written Summer ’63 right before a gig. McCartney had the idea to write it as an advice piece, rather than a traditional love song. The song was finished the following day. McCartney played it for his dad who said, “Couldn’t you sing, ‘She loves you. Yes! Yes! Yes!’?” (Should dad be getting some of these royalties???) Like most songs, to appeal to a wider audience and meet demand, it was recorded in German: “Sie Liebt Dich.”




Arrangement #4: (Calvin Custer)

The Best of the Beatles
[Got to Get You Into My Life; When I’m Sixty-Four; Michelle; Get Back]


 
Got To Get You Into My Life / Helter Skelter
album cover art
Album: Revolver
Written By: McCartney
About: McCartney was unsure how to go about this song – was not sure what he wanted the overall feel to be. At first he thought he would give it a more Motown flare, having the instruments loud with prominent harmonized vocals. Later on, McCartney wanted to add a brass section. INTERESTING: to record the brass section, Geoff Emerick, engineer, placed mics in the bells of the instrument and compressed the sound through the Fairchild limiter, giving them more of a punch and clarity, which was rarely heard on ANY recording up until this diddy.



Fairchild Limiter





Album: Sgt Pepper’s Lonely Hearts Club Band
Written By: McCartney
About: This was one of McCartney’s first songs he had ever written…..and he wrote it when he was, wait for it, 16. It was never really part of the early Beatles’ repertoire, but they would play it every now and again to kill some time. It’s speculated Young McCartney wrote it about his own father, James, who at the time was 64, written in a jazzier style, which would have been inspired by the music he listened to as a child and the music his musician father....being a jazz musician.



“Michelle”

See above.



Get Back


Album: Let It Be
Written By: McCartney
About: Written during a loose jam session, with the “get back to where you once belonged” line being inspired by Harrison’s song “Sour Milk Sea,” written for Jackie Lomax (where Paul played Bass). It was written as a parody to some racist attitudes held by some in the UK, however, the final version of the song centers around Jo Jo and Loretta Martin, both in the middle of transitions. Jo Jo is searching for a home and Loretta is questioning her gender identity.







Roger Holmes, Arrangement #5:




Album: Please Please Me
Written By: Phil Medley, Burt Berns, & Bert Russell
About: Written in 1961 under the name “Shake It Up Baby.” It was recorded by the Isley Brothers in 1962 under the name “Shout.” To capitalize on the success, Berns retitled the track to “Twist and Shout,” taking advantage of the popular dance craze the Twist. It peaked at #2 on April 4, 1964.








Arrangement #6: (Ted Ricketts)

Hello, Goodbye (Songs of the Beatles in Concert)
[Can’t Buy Me Love; Hello, Goodbye; Penny Lane; Ticket to Ride]


 
You Can't Do That / Can't Buy Me Love
cover art
Album: Please Please Me
Written By: McCartney
About: Written at the height of Beatlemania, this song demonstrated how fast the Beatles worked. McCartney wrote the song in January 1964 while touring with the band in Paris, where they had a 19-day residency. At the end of January, they recorded the song in under an hour, in just FOUR takes! It peaked at #1 on April 4, 1964.

A number one and number two on the SAME DAY. Madness! No MANIA, Beatlemania!




 
Hello Goodbye / I Am The Walrus
cover art
Album: Magical Mystery Tour
Written By: McCartney
About: It’s about duality, with a message to be more positive. Side note: Lennon did not like the song….AT ALL. That or he was just a little upset this song was chosen over his song “I am the Walrus,” which appeared on the album’s B-side (look up how an album works, kids). This song peaked at #1 on December 30, 1967!







Penny Lane
 
Strawberry Fields Forever / Penny Lane
cover art
Album: Magical Mystery Tour
Written By: Lennon & McCartney
About: It was a short bus ride around Liverpool that provided the inspiration for this song. The lyrics were based on McCartney and Lennon’s childhood memories. The song was written and recorded, but something was missing. The missing piece to the Penny Lane puzzle was discovered upon Paul watching a performance of Bach’s Brandenburg Concert No. 2 in F Major, which featured David Mason on piccolo trumpet, prompting McCartney to add in the trumpet part. Fun Fact: David Mason was hired to perform the trumpet flourishes and solo on this song! This song peaked at #1 on March 18, 1967! (*Click Here to listen to David Mason talk about his experience with the Beatles).






 
Ticket To Ride / Yes It Is
cover art
Album: Help!
Written By: Lennon & McCartney
About: This tune was a sign of the time, symbolizing the emerging youth culture, with sexually confident women being a recurring theme within the Beatles’ music in 1965. Here, the tune is about a women who can’t be tied down. Interestingly, this song featured one of the heaviest rhythms heard in rock and roll up to that time, not to mention the pretty innovative fade-out. McCartney said they “almost invented the idea…it was quite radical at the time.”








Arrangement #7: (Bruce Healey)

Love is All You Need (A Tribute to the Beatles)
[All My Loving; All You Need is Love; Blackbird; Can’t Buy Me Love; Come Together; Day Tripper; Here Comes the Sun; If I Fell; Lady Madonna; Let It Be; Ob-La-Di, Ob-La-Da; Something; Yesterday]



“All My Loving”

See above.




 
All You Need Is Love / Baby, You're a Rich Man
cover art
Album: Magical Mystery Tour
Written By: Lennon
About: The song was commissioned by Britain and required the Beatles to write a song to represent Britain for Our World, which was the first live global television link with artists from 19 nations representing their countries. Lennon responded with a message he thought would be universally understood and appreciated. The original song was recorded with an orchestra and background singers. Care to guess who was one of the background singers? (Answer: Mick Jagger). It peaked at #1 on August 19, 1967!



Blackbird


Album: The Beatles (The White Album)
Written By: McCartney
About: This song was inspired musically by Bach’s Bourée in E Minor, and was written as a tribute to the U.S. civil rights movement. The blackbird of the title is meant to represent a black woman, a song that was written from him to her, who was experiencing the problems in the states.









“Can’t Buy Me Love”

See above.





 
Something / Come Together
cover art
Album: Abbey Road
Written: Lennon
About: This song was written in 1969 for the campaign of psychologist and pro-psychedelics activist Timothy Leary, who was running for governor of California at the time. Leary’s slogan was “Come together, join the party,” from which Lennon derived the title and theme. Leary was then imprisoned on a pot charge, so Lennon gave the song to the Beatles.








Day Tripper


We Can Work It Out / Day Tripper
cover art

*Was featured as a single, not included on a Beatles’ album
Written By: Lennon & McCartney
About: It was October 1965, and the Beatles were just about to release their album Rubber Soul, when they were told they needed to come up with a single to accompany the album release (what..). Lennon and McCartney quickly came up with this tune, reworking a blues number Lennon was working on earlier that month. The song is in reference who have a “casual interest in drugs,” hence Day Tripper. The song peaked at #1 January 22, 1965, but only for a short while before Simon and Garfunkel’s “The Sound of Silence” took its place.







Album: Abbey Road
Written By: Harrison
About: Harrison wrote the song while relaxing at Eric Clapton’s garden (as one does). He took the day off from the Beatles to relax. While walking through the garden, accompanied by one of Clapton’s acoustic guitars, Harrison wrote “Here Comes the Sun.”





If I Fell
 
And I Love Her / If I Fell
cover art, Italy
Album: A Hard Day’s Night
Written By: Lennon & McCartney
About: Lennon wrote the song with the assistance of McCartney, making it one of the few ballads Lennon would ever write for the Beatles (seeing as he liked writing those rockers quite a bit more). This song is interesting, as it contains a preamble—or intro verse that is not repeated anywhere else in the song. In fact, it does not even sound like the rest of the song—pretty neat. In classic Lennon style, he wrote this song on the back of a Valentine’s card. (someone keep this man away from Hallmark). This tune also went #1 shortly after being released in the UK. (of course it did)




 
Lady Madonna single cover art
*Was featured as a single, not included on a Beatles’ album
Written By: McCartney
About: McCartney found inspiration from a boogie-woogie tune by Humphrey Lyttleton called “Bad Penny Blues,” and drew this vocal styling from Fats Domino. The concept of the song is taking the Virgin mother and applying that concept to the hardships faced by women raising a family and making ends meet.  Here’s something interesting: unlike all the other singles released, “Lady Madonna” was the first to not accompany an album release….how ‘bout that! Oh, and this one also peaked at #1 on the charts…how ‘bout that x2!




Let It Be

Album: Let It Be
Written By: McCartney
About: This song was written during the difficult White Album sessions. The “Mother Mary” mentioned in the song is often speculated as the holy mother, but is in fact a reference to McCartney's own mother, Mary, who died when he was only 14. The opening lyrics heard in this song refer to a dream in which she appears to him. On April 11, 1970, this song peaked at the #1 spot.




 
Ob-La-Di, Ob-La-Da
cover art, Italy
Album: The Beatles (The White Album)
Written By: McCartney
About: The phrase “ob la di, ob la da” is a Nigerian phrase that means “life goes on.” It was often said by McCartney’s Nigerian friend, Jimmy Scott, who was a conga player from the London club scene. McCartney worked hard at trying to make this song the Beatles’ next single, but it was not turning out the way he wanted. After SEVERAL grueling rehearsals, the band ended up with three different versions. McCartney settled for the second, which appears on this album.



“Something”

See above.




“Yesterday”

See above.




Arrangement #8: (Bill Holcombe)


“Hey Jude”
 
Hey Jude / Revolution
cover art, Italy & Yugoslavia
*Was featured as a single, not included on a Beatles’ album
Written By: McCartney
About: In 1968, Lennon was going through a divorce with his first wife Cynthia, and spending a lot more time with his new girlfriend, Yoko Ono. The divorce was understandably hard on Lennon’s five-year-old son Julian. McCartney was close to Julian and spent time each week with him. One day while driving, McCartney came up with the line “Hey Jules, don’t take it bad,” later changing the name to Jude. The rest is history. This song peaked at #1 on September 28, 1968!




Welp, you've reached the end. I hope you enjoyed this piece and have gained a deeper appreciation for the Beatles and SOME their songs, I know I have. 



Let It Be - Beatles
SOLD OUT

Saturday, February 15, 2020
7:30 PM
The Village Theatre
Canton, Michigan




Facts courtesy of

Scapelliti, C. The Beatles: The Story Behind Every Album & Song. Harris Publications, Inc. New York. 2015.


Tuesday, December 17, 2019

DID SOMEBODY SAY CHRISTMAS??


DID SOMEBODY SAY CHRISTMAS?? Oh no, I see your panic, you can’t believe it’s almost Christmas and you ARE so behind in EVERYTHING. Where has the time gone?? Oh boy.


Stop (in the name of love)! Just wait a minute, and here me out:

This is for all of you who are not done shopping or who have yet to start shopping! Sure, you can Amazon order gifts or you can fight the crowds at the stores, but do you REALLY want to risk your items NOT coming in on time or the stores not having the correct items in stock because you’re a Last Minute Lenny or Lucy and cannot get your ducks in a row this time of year? (not attacking you, just stating facts here). I have something that can get the job done. Something that can really provide that WOW factor for your family or friends. This something, my dear Phil friends, is the gift of music.


The gift of music, you say? Yes, I say, the gift of music. Sounds a little hoaky, but it’s not. Concert tickets are a great replacement for gifts that may end up getting re-gifted or sitting in the closet. Don’t ya wanna give someone something that’s going to be useful and meaningful?

You: Yes, Holly.

Me: Good, how about a concert?

You: But, Holly!! Where do I find a GOOD concert to send them to?

Me: Oh do I have something for you!!





Sunday, January 19, 2020 at the beautiful Inn at St. John’s Chapel in Plymouth, Michigan, the Michigan Philharmonic will be performing their Miniature Masterpieces: A String Serenade. The oh so wonderful, Nan Washburn, has put together a unique show, combining various composers, their different styles, as well as their backgrounds.



Here’s a quick program overview:

Gustav Hoist? Gustav Hoist! His Brook Green Suite, H. (190) will be performed, beautifully I presume. A simple, English number, that turns into a tarantella-like finish, will start the show.

Moving right into the folk theme, and not looking back, we will hear the works of Béla Bartók, a composer and musicologist. His Romanian Folk Dances feature 6 separate numbers, each being quick and short, while getting progressively more exciting by the final one.

Next, we will get our Mexican folk fix with Paquito D’Rivera’s Wapango. This piece features an Afro-Cuban/Venezuelan flare and will bring a little HEAT to that COLD January afternoon.

Here, we will get a special treat. The Phil will be joined by composer, violinist, and violist, Mr. Stuart Ross Carlton. Not only will the Phil be playing an original piece written by this gentleman, but he will also be there to perform alongside. HOW COOL. Although he is not the only composer alive out of the composers whose pieces the Phil is playing, he IS the only one coming and performing LIVE with the orchestra. Which is even cooler. (Yes, jab at you Paquito). Not only is Stuart an accomplished composer, violinist, and violist, having graduated from the University of Michigan, he is also no stranger to the Michigan Philharmonic family. He was once a part of the Youth Orchestra! One of our golden children hath returned to us! Welcome back!

HOLD. THE. PHONE. Not to mention it will be the WORLD PREMIERE of his new orchestration of Amazing Grace. Just saying, you can witness a little slice of history for a small lil price (info below). People probably didn’t know, at one point, that they were watching Mozart…….just saying….

They’ll be wrapping up the show with a familiar name, Tchaikovsky, performing his Serenade for Strings in C Major. Ah, how fitting. A Serenade of Strings for A String Serenade, am I right?

Well, not that you got the facts. Whatcha say?

Miniature Masterpieces, a perfect gift!


Miniature Masterpieces: A String Serenade
Sunday, January 19, 2020
2:00PM
The Inn at St. John’s Chapel – Plymouth, MI

General Admission: $30
Senior Admission: $25
Student Admission: $10

Wednesday, December 5, 2018

In A Winter Garden.....Behind the Bushes...I mean Scenes



My name is Holly. I have had the privilege of being the Michigan Philharmonic's intern for the last 6 months. I am a current Madonna University student finishing up my Music Management degree. At Madonna, I am part of the University's Chorale, under the direction of Kevin Cushman. I am extremely lucky to know and work closely with him, as well as Nan Washburn.

Beth Stewart, Executive Director Extraordinaire for the Phil, asked me to tell you a little story.

So, here's my story:

It all started many moons ago, 198 to be exact (give or take), when one called Kevin Cushman of THE Madonna University, told his chorale that they would be a performing a piece by the one and only Libby Larson....but the excitement didn't stop there.

Not only would we be performing a piece where the actual composer was alive and willing to come to the performance (I'm looking at you Mozart), but we would be joined by two other choruses and the Michigan Phil themselves. Whaaaaaat!! Exciting times in the big city!

As part of the Phil marketing team, I had heard plans in the making. It seemed so far away...

Fast forward to August 28, 2018: our very first chorale rehearsal. T-3 Months Until Performance:
I walk in to see a cheery-faced Kevin Cushman by the door and am greeted by a warm "Hello Holly." Now, see, Mr. Cushman and I go waaaaaaay back. Like a whole 3 semesters back. Needless to say we have become pretty close pals and are quite the power team, if I say so myself! On a side note, he also thinks I'm the funniest person alive.(Don't ask him though...he might deny knowing me, he's such a jokester!)

Anyways, as the new semester music was being passed out, we all received a brand new purty blue book with the title In A Winter Garden plastered over the front cover... we were all intrigued, but didn't know what we were getting into....haha

Once the summer season was over, the Phil team and I focused on the upcoming season. The Naniversary season opener came and went, same with the Philharmonster Mash (both were amazing, so sorry if you missed them, but 9/10 chances I told you get tickets....not to play the blame game...)

So..yeah... the first rehearsal with the Larson piece....yeah, that was something, for sure. Let's put it this was, it was rather tricky and quite challenging, full of difficult rhythms and no clear direction (at the time anyway). It was something we definitely needed to spend the majority of our rehearsals practicing......and we did.....I don't think I've ever heard so many people say panicked "WHATs" in my life, but no worries, we got SO much time!

And suddenly it was November. The super-California, even-keeled Phil marketing team was ON TOP OF THINGS. Venue? Check. Libby Larson? Check. Yeaaaaaah, we got this!

I do want to talk about the time the soloists came into rehearse with Madonna's choir the first time. Noelle Jacquez was the first to come in. I knew Noelle from coming into the Phil office every now and again. I was excited to see her and was extremely BLOWN AWAY by this woman's voice. She came to talk to me after, but I couldn't pick my jaw off the ground fast enough....that or I was just super starstruck and couldn't look such talent in the face. (no one embarrass me and tell her that).

The other soloists were just as talented when we met them a week later. It's amazing how talented some people are. The soloists are 150% hearts eyes. 😍

During this whole process, I kind of acted as the middleman, not like a messenger middleman because Nan and Mr. Cushman talked all the time, but the middleman that knows all the secrets. (Secrets including pre-show pizza and ticket information....I'll come back to earth now)...

Up until the week of the show (November 30), there were still tricky spots. Frustration lingered because we thought "we should have this by now!!!!" By this time, Nan came to conduct, and with her guidance along with Mr. Cushman's, wow! It's amazing what their instruction (and patience) did for us (They are nothing short of wizards)

I do want to mention one spot in particular that even gave us trouble at our 4pm rehearsal the DAY OF the show....It was a part with an Ahhhh. It just wasn't working for us. Do we even want to talk about frustration? 3 hours before the performance and we can't get it!?!? OH MY GOD HELP (good thing we were in a church)

 8pm, first half, intermission and then In A Winter Garden. As usual, we pulled it together and killed the piece. KILLED IT. Even that darn Ahhh?!?! YEAH we got him too, brother! Go us!!

Just like that the piece was over; the one we worked so hard on...for weeks/moons if you will. Everyone's hard work definitely showed in the final performance and was reflected in Mr. Cushman's, Nan's and even Libby's faces (who were either really relieved or extremely happy). It was absolutely lovely!

This entire experience was definitely one to remember and I am absolutely thrilled to have been a part of it. It could not have worked out better, for me anyway, that I happened to be a part of the Phil Fam and the Madonna Chorale at the same time. It made this experience so much better, truly knowing how much work went into it on both ends. I am very grateful for these opportunities and will remember them 5ever! (I'd say forever, but 5ever is longer 😊)

My name is Holly, this is my story, In A Winter Garden....Behind the Bushes...I Mean Scenes. (oops, I did it again!)


Tuesday, October 30, 2018

The Art of the Conductor

Conducting is an art form in and of itself. Much like a painter needs his/her paintbrushes, a conductor needs his/her baton(s). Who else is going to keep a whole mess of people in time? It's some type of black magic and sorcery for sure... Speaking of sorcery..



Here is Mickey Mouse as the Sorcerer's Apprentice. Why did I put a picture of Mickey Mouse? To make a connection. Stay with me here:
I know he was working under a Sorcerer, but I think he was trying to learn to be a Conductor. Have you seen this movie? (Disney's Fantasia for those of you that did not know). He is working with music and keeping items in time and letting them know when to come in? Tell me I'm wrong!

I'm sure if Mickey knew Nan, he would leave the mean, boring, old Sorcerer, to study under the nice, fun, young (and super hip) Nan, one that wouldn't get mad at him for being creative--but one that is all about creativity and F U N!

Some of you might be thinking: "Okay Holly, that's all fine and dandy, isn't conducting just waving a stick and looking good? I mean how hard can it be?" and to you I say nay-nay, Dear Reader, please be patient and don't be silly!

Conducting is a hard, complex job that not all people can master. The word 'Conductor' is defined as "the art of directing the simultaneous performance of several players or singers by the use of gestures."  By the USE OF GESTURES. GESTURES, PEOPLE.

They're not TELLING people what to do, they're GESTURING to them to let them know what to do. Not only that, they need to follow and keep track of the music...of ALL the sections?! Okay, sorcerers, slow down. But of course, this is all on top of waving a little stick and looking good. You weren't completely wrong, but you were wrong enough for me to fight for these everyday musical Sorcerers.


How many Harry Potter fans do we have out there? You know the part when Harry goes into Ollivander's to get his wand and he's told that "you don't choose the wand, the wand chooses you"? It is very much the same for conductors. You don't choose the baton, the baton chooses you. When you hold the right baton in your hand, you know....or so I'm told. (I'm not a sorcerer...or a wizard for that matter). Wait there's not just one kind of baton? haha NOPE.

But, but, but let's not forget that a baton is not just a stick Conductors wave around for funsies, they serve a purpose. Let's talk about the technical definition really quick: "A baton is a stick used by conductors to enlarge and enhance the manual and bodily movements associated with directing an ensemble of musicians." SEE, not JUST any old stick, but a stick that enlarges and enhances things. How magical!





I bet some of you don't even realize how many different styles and sizes of batons there are..(look that up, it's fascinating). Sure, any amateur could run out in the yard and grab a stick and be fine with it, but a conductor will use something that fits them and their style of conducting perfectly....some even have a snazzy little case or might only even pull it out for special conducting occasions....BECAUSE THEY'RE PRECIOUS. --->



I don't want to get to involved with this discussion. You should hear it first hand from a professional who can tell you a lot more than I could tell you now....

IN FACT, you have an opportunity to hear it first hand from Nan herself--at Nan's talk on the art of conducting and more importantly, about being a Conductor!





Nan Talk- "The Art of the Conductor"
Thursday, November 1
7:00pm
PARC Building

(did I mention it is FREE?) 

Well, it's FREE.

See you there!



Fun Facts Courtesy of Wikipedia
https://en.wikipedia.org/wiki/Baton_(conducting)

Sunday, October 21, 2018

Philharmonster Mash

Instructions: Play Monster Mash in the background and sing along with the words below!

It will be fun, I promise!


*door opens*
*chains clink and chemicals boil*
*drum beat starts*

Nan was working in her lab (again), late, one night,
when her eyes beheld, an eerie sight,
for her spooky concert was coming near...
the calendar doesn't lie, it's close, oh dear!

It's the mash, the Philharmonster Mash,
Come to the Mash, it will be a Plymouth smash.
at the Mash, it'll be here in a flash!
It's a smash, the Philharmonster Mash!

(wahh, oooh)

From her home lab, located Plymouth east,
she sits there marking each and every piece.
Markings finally done in black, blue and red,
she'll leave her lab and finally head

To the mash, the Philharmonster Mash,
The Phil Mash, it will be a Plymouth smash.
The Phil Mash, it'll be here in a flash!
go to the mash, the Philharmonster Mash!

(wahh, oooh)

Everyone will have fun,
seeing Nan's secret costume (finally done).
So bring a friend, or bring two,
The Philharmonic wants to see you!

(wahh, ooh)

The scene will be rockin', you'll dig the sounds,
Geff Phillips will speak, the orchestra will astound,
you'll sit and listen, then get up and dance,
don't be a fool, and come take this chance

Come to the mash, the Philharmonster Mash.
The Phil Mash, it will be a Plymouth smash.
The Phil Mash, it'll be here in a flash,
go to the mash, the Philharmonster Mash.

(wahh, ooh)

Come out of your coffin and into the light,
Come see us for tickets or visit our website,
Slam open your lid and get tickets now,
before they're all gone and you have cow...

See you at the mash, the Philharmonster Mash.
The Phil Mash, it will be a Plymouth smash,
The Phil Mash, it'll be here in a flash,
get tix to the mash, the Philharmonster Mash.

(wahh, ooh)

Now everything's cool, we're patiently waiting,
so soon is October 27, our excitement elevating.
For you, dear Phil Fans, this mash was meant too,
when you get to the door, tell them Holly sent you,

to the mash, the Philharmonster Mash,
The Phil Mash, it will be a Plymouth smash. 
at the Phil Mash, it will be here in a flash,
go to the mash, the Philharmonster Mash!

(wahh, ooh)



Philharmonster Mash
October 27, 2018
PARC Building - Plymouth, Michigan
7:00 PM



This is a parody. We do not own the rights to this song. 
Writers: Bobby Pickett & Leonard Capizzi
The content belongs to the respective owners.


Wednesday, September 19, 2018

Nan Series: Hector Berlioz & Samuel Barber

Here we are with another week in the Nan Series! As we near the season opener, we will continue to focus and learn all about the composers/pieces Nan chose for her 20th NANiversary Concert!

If you attended the Pop-Up party, you may have heard a little bit about these composers and their pieces from Nan herself. I'm here to sort of be Nan's echo and maybe throw in a few other things here and again...

Here we go, but first, let me set the scene!

PICTURE THIS:

The room is dark, candles are lit, the mood is set. Everyone waits in anxious anticipation to here Nan speak about the upcoming season.....and then,

Nan gets up in front of a room full of Phil Fans with her presentation slides set and ready to go, the title reading MICHIGAN PHILHARMONIC, 73RD SEASON, 2018-2019: THE 20TH NANIVERSARY SEASON.....it's just glistening on the screen and the crowd goes wild.

Nan turns to the audience, with a smile that goes on for MILES. She is ecstatic and it is infectious. I don't think I stopped smiling once and I don't think there was a moment I didn't think "dang, Nan is the coolest." (I even said it out loud to Andrew Brauer, the MPYO Manager, who totally agreed with me).

Here she is introducing us to the Opening Concert line-up. She mentions two fantastic composers, Hector Berlioz and Samuel Barber. Now whether you know them or not, this is still an "ohhh-ahhh" moment. Nan hand-picked these pieces for a reason.....let's learn a wee bit more.


The name Hector Berlioz, might ring a bell for you, but if it doesn't no worries! I am here to save the day!!!!!
Hector Berlioz

Hector Berlioz, the super lax and super handsome devil pictured left, is a 19th Century Romantic Composer who was born on December 11, 1803 in France. He was 1 of 6 kids, but only two others made it into adulthood.

In 1815, right before making his First Holy Communion, Little Hector has his first musical experience. He was called forward by the priest to receive his sacrament. He felt so undeserving to be called up first, but also felt honored that the priest would choose him. Hector recalls hearing several maidens begin to sing, and it filled him with such "mystical and passionate emotion" that he broke down in front of everyone. Never before had he heard something so beautiful. He felt as if the "heavens were opening up" for him." It was an "incomparable beauty that sprang from the heart."

How beautiful is that?  He truly has a way with words (and you'll find out a way with music too!)


Flageolet
Soon after that in 1816, Hector learns to play the flageolet (pictured to the right), where his first attempts at composing began. Obviously it didn't take him long to get the hang of it, because in 1817, just one short year later, he wrote his first composition for 6 instruments, entitled Pot-pourri. Unfortunately, the piece is lost... hmmm a little strange, is the piece even real????? Just kidding, I believe you Hector, you're the man!

Later that same year, Hector learns to play the flute, so he just becomes a man of many hats. (Fun Side Fact: Nan also plays the flute...twins!). He composed 2 quintets the following year for the flute and strings. I just want you all to keep in mind that Hector did all of this before he turned 15. Makes you really think about what you did when you were 15.......not that.......but you're still great!! Don't worry!!

He actually went away to Paris to study medicine. It wasn't until 1821, that he discovers Gluck, a composer in his own right. Hector then spent most of his time researching Gluck's scores and even hand-copying them....that's a true fan! How many of you can say you copied the sheet music to your favorite artist's or band's songs?!

Soon after he hears Spontini's music for the first time (another fantastic composer and conductor). It was then that Hector decided to devote himself and his life to music.

He composed many, many pieces over the course in his career and even took up CONDUCTING. Hmmm who else do we know that plays the flute and conducts?! I'll let you sit on that....

Let's talk about the piece really quick that will be featured at the concert:
Roman Carnival Overture, Op. 9

It was written in 1844 and first performed in Paris, France. It was intended mainly for concert performance, made up of themes from one of Hector's operas Benevuto Cellini, even featuring music from the opera's carnival scene. Super fun theme, super fun piece....No link attached because you'll just have to come October 5 to find out for yourself how super great it is.


Next up, a man right here from the good ol' U S of A: Mr. Samuel Barber.

Samuel Barber, born in West Chester, PA on March 9, 1903 is considered to be one of the most expressive representatives of the lyric and Romantic trends of the 20th century. And rightfully so, you'll see what I mean:

Samuel Barber

The man pictured to your left learned piano at an early age and began composing soon after. In 1924, he entered the Curtis Institute of Music in Philadelphia, where, in addition to piano and composition, he studied singing and conducting too. Conducting...? Do you smell that? I smell a trend....

Moving on,
After graduating in 1934, he dedicated his life to composing, even establishing a name for himself. Samuel's overture to The School for Scandal put Sammy on the board.

The man loved to experiment with different sounds and techniques. Samuel wrote his String Quartet that gained extreme popularity in the United States as well as Europe. It was performed under the name Adagio for Strings  with the NBC Orchestra performing it, under the direction of Arturo Toscanini.

He wrote many, MANY pieces. So many pieces and not enough time to mention them all. But let's mention one:

Violin Concerto Op. 14
The piece was written in 1939 and contains 3 movements. It was actually written because someone commissioned Samuel to write it. Not that the man didn't put his heart and soul into it, he was just paid upfront to do it.
But alas, another great piece was born and yet another piece you'll have to come hear in person on October 5........


It is obvious to see why Nan chose these two composers...they are so interesting and have so much in common with her!!! (Whether she knew it or not, fate brought them all together)

Just another thing to look forward to on the Phil's opening concert: The 20th Naniversary.
October 5, 2018
Our Lady of Good Counsel Church, Plymouth
8:00pm

Tickets available NOW at www.michiganphil.org.



Facts courtesy of:
http://www.hberlioz.com/Works/biography.htm
&
https://www.britannica.com/biography/Samuel-Barber


#michiganphil #michiganphilharmonic #naniversary #nan #fun #facts #samuelbarber #hectorberlioz #classicalmusic #music #miphil #miphilmyway #philfan



Thursday, September 13, 2018

NAN SERIES: Nan Fun Facts!

September 12, 2018

It's Nan Season!! Let's be real, every reason is Nan Season, especially when you're Nan...but this season is especially about Nan, as it is her 20th Season with the Michigan Philharmonic.

Anyway, with the upcoming season quickly approaching us, it is only right that we focus these next few blog posts on our loving and oh so wonderful Music Director and Conductor, Nan Washburn.

This week we have a list of 10, count 'em 10 FUN FACTS that let you and yours get to know Nan just a little bit better!

Enough jib jab, let's get crackin'!

1.)  How many Sound of Music fans do we have out there? The correct answer is all of you because it is by far the greatest and most beautiful movie ever created...don't fight me on that. Well, Nan's "break-through performance" and one of her most memorable was playing "Climb Every Mountain" as a flute solo in her Juanamaria Elementary School music program. The talent showed early and clearly never stopped. Go Little Nan Go!

2.) And the talent goes beyond music. Why, whatever do I mean? Well, Nan won a talent contest in the 6th grade for riding her unicycle. HER UNICYCLE. You read that right.

3.) What is Nan's favorite color? I know you're dying to know and contrary to the red shoes and white ensembles she often sports, her favorite color is BLUE. What a twist!

4.) When most people think of Nan and conducting, they think "oh she was BORN to do this" and "she must have come out of the womb conducting." Well, believe it or not, Nan didn't take her first conducting class until she was 30. Better late than never I always say. Good choice, Nan!

5.) Calling all cat-lovers! Nan has a love for those creatures too, and is especially partial to all-black and Siamese kitties.....and wouldn't you know she has one of each!

6.) When she was a professional flutist, she thought conducting was for those who couldn't play a musical instrument well enough...obviously Nan figured this one out on her own, but let's pretend she didn't: And to that I say nay-nay,  Nan!! Go conduct!!  Look at her being all great at the flute AND becoming a conductor! #talent

7.) Once Nan realized she could add another hat to her collection, Nan first began conducting flute choirs, first in college and then later, with her own flute students! ...and NOW? Full orchestras. Can't stop, won't stop, Nan!

8.) Despite having a messy desk (her words, not mine) filled with partially completed projects in her home office, she is very systematic and meticulous about marking her scores. She uses a Sharpie pen for meter changes, red pencil for instrument entrances/sforzandos/fortepianos, blue pencil for phrase markings/fermatas, a yellow highlighter for tempo markings/mutes/pizzicato/arco notations, and No. 1 pencils for everything else.... Well to be fair, Nan, you don't have time to clean, when you're too busy being great!

9.) Before she gets to the fun part of creating concert programming (choosing the pieces and soloists), she puts together a detailed budget for every performance with all the rehearsals and rates for hiring each musician.  Then she does a budget for buying or renting each piece of music for the season. It goes to show that a conductor does more than just stand up on a podium waving a baton and looking good, there's a lot of thought that goes into the planning and most of it rests on Nan. Thank a Nan today! (Specifically our Nan....Nan Washburn...I don't know how many Nan's you know..)

10.) While often asked “what is your most memorable performance?”, it is hard to pin down. So many concerts, so much great music, but if pushed, she might have to say that it’s the two performances she’s done of Beethoven’s 9th Symphony with this orchestra—such a big production with a large orchestra, full chorus, soloists and that powerfully beautiful and transformative music! 

There you have it, folks! 10 super FUN and super INTERESTING facts about Nan!

It is obvious that these 10 little facts are just a few things that make Nan, Nan! She's full of fun facts and stories that I could go on for days about, but alas we all have things to do, like attending the Pop-Up Party...

Yep that's right, by the time this blog is posted, we will be hours away from the annual Pop-Up Party to celebrate the beginning of the Philharmonic Season. The party is open to all and it is a perfect opportunity to meet and mingle with other Philharmonicers as well as chat with Nan....and maybe learn a few more fun facts about her! (Pop-Up Party details at the end of the post..almost there!)

Oh, one more fact we know for sure:

11.) She LOVES the Michigan Philharmonic

If your love is as big as Nan's, come support our upcoming shows and events, all posted on the Michigan Philharmonic's website. These things are not possible without the love and support from our audiences!

Pop-Up Party Details:
September 13, 2018
7 PM
@ PARC
     650 Church St. Plymouth, MI 48170


See you there and Happy Pop-Up Partying!


#music #classicalmusic #fun #orchestra #naniversary #michiganphil #miphil #michiganphilharmonic #miphilmyway #cantstopwontstop #nan