In A Winter Garden.....Behind the Bushes...I mean Scenes

My name is Holly. I have had the privilege of being the Michigan Philharmonic's intern for the last 6 months. I am a current Madonna University student finishing up my Music Management degree. At Madonna, I am part of the University's Chorale, under the direction of Kevin Cushman. I am extremely lucky to know and work closely with him, as well as Nan Washburn.

Beth Stewart, Executive Director Extraordinaire for the Phil, asked me to tell you a little story.

So, here's my story:

It all started many moons ago, 198 to be exact (give or take), when one called Kevin Cushman of THE Madonna University, told his chorale that they would be a performing a piece by the one and only Libby Larson....but the excitement didn't stop there.

Not only would we be performing a piece where the actual composer was alive and willing to come to the performance (I'm looking at you Mozart), but we would be joined by two other choruses and the Michigan Phil themselves. Whaaaaaat!! Exciting times in the big city!

As part of the Phil marketing team, I had heard plans in the making. It seemed so far away...

Fast forward to August 28, 2018: our very first chorale rehearsal. T-3 Months Until Performance:
I walk in to see a cheery-faced Kevin Cushman by the door and am greeted by a warm "Hello Holly." Now, see, Mr. Cushman and I go waaaaaaay back. Like a whole 3 semesters back. Needless to say we have become pretty close pals and are quite the power team, if I say so myself! On a side note, he also thinks I'm the funniest person alive.(Don't ask him though...he might deny knowing me, he's such a jokester!)

Anyways, as the new semester music was being passed out, we all received a brand new purty blue book with the title In A Winter Garden plastered over the front cover... we were all intrigued, but didn't know what we were getting into....haha

Once the summer season was over, the Phil team and I focused on the upcoming season. The Naniversary season opener came and went, same with the Philharmonster Mash (both were amazing, so sorry if you missed them, but 9/10 chances I told you get tickets....not to play the blame game...)

So..yeah... the first rehearsal with the Larson piece....yeah, that was something, for sure. Let's put it this was, it was rather tricky and quite challenging, full of difficult rhythms and no clear direction (at the time anyway). It was something we definitely needed to spend the majority of our rehearsals practicing......and we did.....I don't think I've ever heard so many people say panicked "WHATs" in my life, but no worries, we got SO much time!

And suddenly it was November. The super-California, even-keeled Phil marketing team was ON TOP OF THINGS. Venue? Check. Libby Larson? Check. Yeaaaaaah, we got this!

I do want to talk about the time the soloists came into rehearse with Madonna's choir the first time. Noelle Jacquez was the first to come in. I knew Noelle from coming into the Phil office every now and again. I was excited to see her and was extremely BLOWN AWAY by this woman's voice. She came to talk to me after, but I couldn't pick my jaw off the ground fast enough....that or I was just super starstruck and couldn't look such talent in the face. (no one embarrass me and tell her that).

The other soloists were just as talented when we met them a week later. It's amazing how talented some people are. The soloists are 150% hearts eyes. 😍

During this whole process, I kind of acted as the middleman, not like a messenger middleman because Nan and Mr. Cushman talked all the time, but the middleman that knows all the secrets. (Secrets including pre-show pizza and ticket information....I'll come back to earth now)...

Up until the week of the show (November 30), there were still tricky spots. Frustration lingered because we thought "we should have this by now!!!!" By this time, Nan came to conduct, and with her guidance along with Mr. Cushman's, wow! It's amazing what their instruction (and patience) did for us (They are nothing short of wizards)

I do want to mention one spot in particular that even gave us trouble at our 4pm rehearsal the DAY OF the show....It was a part with an Ahhhh. It just wasn't working for us. Do we even want to talk about frustration? 3 hours before the performance and we can't get it!?!? OH MY GOD HELP (good thing we were in a church)

 8pm, first half, intermission and then In A Winter Garden. As usual, we pulled it together and killed the piece. KILLED IT. Even that darn Ahhh?!?! YEAH we got him too, brother! Go us!!

Just like that the piece was over; the one we worked so hard on...for weeks/moons if you will. Everyone's hard work definitely showed in the final performance and was reflected in Mr. Cushman's, Nan's and even Libby's faces (who were either really relieved or extremely happy). It was absolutely lovely!

This entire experience was definitely one to remember and I am absolutely thrilled to have been a part of it. It could not have worked out better, for me anyway, that I happened to be a part of the Phil Fam and the Madonna Chorale at the same time. It made this experience so much better, truly knowing how much work went into it on both ends. I am very grateful for these opportunities and will remember them 5ever! (I'd say forever, but 5ever is longer 😊)

My name is Holly, this is my story, In A Winter Garden....Behind the Bushes...I Mean Scenes. (oops, I did it again!)

The Art of the Conductor

Conducting is an art form in and of itself. Much like a painter needs his/her paintbrushes, a conductor needs his/her baton(s). Who else is going to keep a whole mess of people in time? It's some type of black magic and sorcery for sure... Speaking of sorcery..

Here is Mickey Mouse as the Sorcerer's Apprentice. Why did I put a picture of Mickey Mouse? To make a connection. Stay with me here:
I know he was working under a Sorcerer, but I think he was trying to learn to be a Conductor. Have you seen this movie? (Disney's Fantasia for those of you that did not know). He is working with music and keeping items in time and letting them know when to come in? Tell me I'm wrong!

I'm sure if Mickey knew Nan, he would leave the mean, boring, old Sorcerer, to study under the nice, fun, young (and super hip) Nan, one that wouldn't get mad at him for being creative--but one that is all about creativity and F U N!

Some of you might be thinking: "Okay Holly, that's all fine and dandy, isn't conducting just waving a stick and looking good? I mean how hard can it be?" and to you I say nay-nay, Dear Reader, please be patient and don't be silly!

Conducting is a hard, complex job that not all people can master. The word 'Conductor' is defined as "the art of directing the simultaneous performance of several players or singers by the use of gestures."  By the USE OF GESTURES. GESTURES, PEOPLE.

They're not TELLING people what to do, they're GESTURING to them to let them know what to do. Not only that, they need to follow and keep track of the music...of ALL the sections?! Okay, sorcerers, slow down. But of course, this is all on top of waving a little stick and looking good. You weren't completely wrong, but you were wrong enough for me to fight for these everyday musical Sorcerers.

How many Harry Potter fans do we have out there? You know the part when Harry goes into Ollivander's to get his wand and he's told that "you don't choose the wand, the wand chooses you"? It is very much the same for conductors. You don't choose the baton, the baton chooses you. When you hold the right baton in your hand, you know....or so I'm told. (I'm not a sorcerer...or a wizard for that matter). Wait there's not just one kind of baton? haha NOPE.

But, but, but let's not forget that a baton is not just a stick Conductors wave around for funsies, they serve a purpose. Let's talk about the technical definition really quick: "A baton is a stick used by conductors to enlarge and enhance the manual and bodily movements associated with directing an ensemble of musicians." SEE, not JUST any old stick, but a stick that enlarges and enhances things. How magical!

I bet some of you don't even realize how many different styles and sizes of batons there are..(look that up, it's fascinating). Sure, any amateur could run out in the yard and grab a stick and be fine with it, but a conductor will use something that fits them and their style of conducting perfectly....some even have a snazzy little case or might only even pull it out for special conducting occasions....BECAUSE THEY'RE PRECIOUS. --->



I don't want to get to involved with this discussion. You should hear it first hand from a professional who can tell you a lot more than I could tell you now....

IN FACT, you have an opportunity to hear it first hand from Nan herself--at Nan's talk on the art of conducting and more importantly, about being a Conductor!

Nan Talk- "The Art of the Conductor"

Thursday, November 1

7:00pm

PARC Building

(did I mention it is FREE?) 

Well, it's FREE.

See you there!

Fun Facts Courtesy of Wikipedia
https://en.wikipedia.org/wiki/Baton_(conducting)

Philharmonster Mash

Instructions: Play Monster Mash in the background and sing along with the words below!

It will be fun, I promise!

*door opens*
*chains clink and chemicals boil*

*drum beat starts*

Nan was working in her lab (again), late, one night,

when her eyes beheld, an eerie sight,

for her spooky concert was coming near...

the calendar doesn't lie, it's close, oh dear!

It's the mash, the Philharmonster Mash,

Come to the Mash, it will be a Plymouth smash.

at the Mash, it'll be here in a flash!

It's a smash, the Philharmonster Mash!

(wahh, oooh)

From her home lab, located Plymouth east,

she sits there marking each and every piece.

Markings finally done in black, blue and red,

she'll leave her lab and finally head

To the mash, the Philharmonster Mash,

The Phil Mash, it will be a Plymouth smash.

The Phil Mash, it'll be here in a flash!

go to the mash, the Philharmonster Mash!

(wahh, oooh)

Everyone will have fun,

seeing Nan's secret costume (finally done).

So bring a friend, or bring two,

The Philharmonic wants to see you!

(wahh, ooh)

The scene will be rockin', you'll dig the sounds,

Geff Phillips will speak, the orchestra will astound,

you'll sit and listen, then get up and dance,

don't be a fool, and come take this chance

Come to the mash, the Philharmonster Mash.

The Phil Mash, it will be a Plymouth smash.

The Phil Mash, it'll be here in a flash,

go to the mash, the Philharmonster Mash.

(wahh, ooh)

Come out of your coffin and into the light,

Come see us for tickets or visit our website,

Slam open your lid and get tickets now,

before they're all gone and you have cow...

See you at the mash, the Philharmonster Mash.

The Phil Mash, it will be a Plymouth smash,

The Phil Mash, it'll be here in a flash,

get tix to the mash, the Philharmonster Mash.

(wahh, ooh)

Now everything's cool, we're patiently waiting,

so soon is October 27, our excitement elevating.

For you, dear Phil Fans, this mash was meant too,

when you get to the door, tell them Holly sent you,

to the mash, the Philharmonster Mash,

The Phil Mash, it will be a Plymouth smash. 

at the Phil Mash, it will be here in a flash,

go to the mash, the Philharmonster Mash!

(wahh, ooh)

Philharmonster Mash

October 27, 2018

PARC Building - Plymouth, Michigan

7:00 PM

This is a parody. We do not own the rights to this song. 

Writers: Bobby Pickett & Leonard Capizzi
The content belongs to the respective owners.

Nan Series: Hector Berlioz & Samuel Barber

Here we are with another week in the Nan Series! As we near the season opener, we will continue to focus and learn all about the composers/pieces Nan chose for her 20th NANiversary Concert!

If you attended the Pop-Up party, you may have heard a little bit about these composers and their pieces from Nan herself. I'm here to sort of be Nan's echo and maybe throw in a few other things here and again...

Here we go, but first, let me set the scene!

PICTURE THIS:

The room is dark, candles are lit, the mood is set. Everyone waits in anxious anticipation to here Nan speak about the upcoming season.....and then,

Nan gets up in front of a room full of Phil Fans with her presentation slides set and ready to go, the title reading MICHIGAN PHILHARMONIC, 73RD SEASON, 2018-2019: THE 20TH NANIVERSARY SEASON.....it's just glistening on the screen and the crowd goes wild.

Nan turns to the audience, with a smile that goes on for MILES. She is ecstatic and it is infectious. I don't think I stopped smiling once and I don't think there was a moment I didn't think "dang, Nan is the coolest." (I even said it out loud to Andrew Brauer, the MPYO Manager, who totally agreed with me).

Here she is introducing us to the Opening Concert line-up. She mentions two fantastic composers, Hector Berlioz and Samuel Barber. Now whether you know them or not, this is still an "ohhh-ahhh" moment. Nan hand-picked these pieces for a reason.....let's learn a wee bit more.


The name Hector Berlioz, might ring a bell for you, but if it doesn't no worries! I am here to save the day!!!!!

Hector Berlioz

Hector Berlioz, the super lax and super handsome devil pictured left, is a 19th Century Romantic Composer who was born on December 11, 1803 in France. He was 1 of 6 kids, but only two others made it into adulthood.

In 1815, right before making his First Holy Communion, Little Hector has his first musical experience. He was called forward by the priest to receive his sacrament. He felt so undeserving to be called up first, but also felt honored that the priest would choose him. Hector recalls hearing several maidens begin to sing, and it filled him with such "mystical and passionate emotion" that he broke down in front of everyone. Never before had he heard something so beautiful. He felt as if the "heavens were opening up" for him." It was an "incomparable beauty that sprang from the heart."

How beautiful is that?  He truly has a way with words (and you'll find out a way with music too!)

Flageolet

Soon after that in 1816, Hector learns to play the flageolet (pictured to the right), where his first attempts at composing began. Obviously it didn't take him long to get the hang of it, because in 1817, just one short year later, he wrote his first composition for 6 instruments, entitled Pot-pourri. Unfortunately, the piece is lost... hmmm a little strange, is the piece even real????? Just kidding, I believe you Hector, you're the man!

Later that same year, Hector learns to play the flute, so he just becomes a man of many hats. (Fun Side Fact: Nan also plays the flute...twins!). He composed 2 quintets the following year for the flute and strings. I just want you all to keep in mind that Hector did all of this before he turned 15. Makes you really think about what you did when you were 15.......not that.......but you're still great!! Don't worry!!

He actually went away to Paris to study medicine. It wasn't until 1821, that he discovers Gluck, a composer in his own right. Hector then spent most of his time researching Gluck's scores and even hand-copying them....that's a true fan! How many of you can say you copied the sheet music to your favorite artist's or band's songs?!

Soon after he hears Spontini's music for the first time (another fantastic composer and conductor). It was then that Hector decided to devote himself and his life to music.

He composed many, many pieces over the course in his career and even took up CONDUCTING. Hmmm who else do we know that plays the flute and conducts?! I'll let you sit on that....

Let's talk about the piece really quick that will be featured at the concert:
Roman Carnival Overture, Op. 9

It was written in 1844 and first performed in Paris, France. It was intended mainly for concert performance, made up of themes from one of Hector's operas Benevuto Cellini, even featuring music from the opera's carnival scene. Super fun theme, super fun piece....No link attached because you'll just have to come October 5 to find out for yourself how super great it is.


Next up, a man right here from the good ol' U S of A: Mr. Samuel Barber.

Samuel Barber, born in West Chester, PA on March 9, 1903 is considered to be one of the most expressive representatives of the lyric and Romantic trends of the 20th century. And rightfully so, you'll see what I mean:

Samuel Barber

The man pictured to your left learned piano at an early age and began composing soon after. In 1924, he entered the Curtis Institute of Music in Philadelphia, where, in addition to piano and composition, he studied singing and conducting too. Conducting...? Do you smell that? I smell a trend....

Moving on,
After graduating in 1934, he dedicated his life to composing, even establishing a name for himself. Samuel's overture to The School for Scandal put Sammy on the board.

The man loved to experiment with different sounds and techniques. Samuel wrote his String Quartet that gained extreme popularity in the United States as well as Europe. It was performed under the name Adagio for Strings  with the NBC Orchestra performing it, under the direction of Arturo Toscanini.

He wrote many, MANY pieces. So many pieces and not enough time to mention them all. But let's mention one:

Violin Concerto Op. 14
The piece was written in 1939 and contains 3 movements. It was actually written because someone commissioned Samuel to write it. Not that the man didn't put his heart and soul into it, he was just paid upfront to do it.
But alas, another great piece was born and yet another piece you'll have to come hear in person on October 5........


It is obvious to see why Nan chose these two composers...they are so interesting and have so much in common with her!!! (Whether she knew it or not, fate brought them all together)

Just another thing to look forward to on the Phil's opening concert: The 20th Naniversary.
October 5, 2018
Our Lady of Good Counsel Church, Plymouth
8:00pm

Tickets available NOW at www.michiganphil.org.



Facts courtesy of:

http://www.hberlioz.com/Works/biography.htm

&

https://www.britannica.com/biography/Samuel-Barber

#michiganphil #michiganphilharmonic #naniversary #nan #fun #facts #samuelbarber #hectorberlioz #classicalmusic #music #miphil #miphilmyway #philfan

NAN SERIES: Nan Fun Facts!

September 12, 2018

It's Nan Season!! Let's be real, every reason is Nan Season, especially when you're Nan...but this season is especially about Nan, as it is her 20th Season with the Michigan Philharmonic.

Anyway, with the upcoming season quickly approaching us, it is only right that we focus these next few blog posts on our loving and oh so wonderful Music Director and Conductor, Nan Washburn.

This week we have a list of 10, count 'em 10 FUN FACTS that let you and yours get to know Nan just a little bit better!

Enough jib jab, let's get crackin'!

1.)  How many Sound of Music fans do we have out there? The correct answer is all of you because it is by far the greatest and most beautiful movie ever created...don't fight me on that. Well, Nan's "break-through performance" and one of her most memorable was playing "Climb Every Mountain" as a flute solo in her Juanamaria Elementary School music program. The talent showed early and clearly never stopped. Go Little Nan Go!

2.) And the talent goes beyond music. Why, whatever do I mean? Well, Nan won a talent contest in the 6th grade for riding her unicycle. HER UNICYCLE. You read that right.

3.) What is Nan's favorite color? I know you're dying to know and contrary to the red shoes and white ensembles she often sports, her favorite color is BLUE. What a twist!

4.) When most people think of Nan and conducting, they think "oh she was BORN to do this" and "she must have come out of the womb conducting." Well, believe it or not, Nan didn't take her first conducting class until she was 30. Better late than never I always say. Good choice, Nan!

5.) Calling all cat-lovers! Nan has a love for those creatures too, and is especially partial to all-black and Siamese kitties.....and wouldn't you know she has one of each!

6.) When she was a professional flutist, she thought conducting was for those who couldn't play a musical instrument well enough...obviously Nan figured this one out on her own, but let's pretend she didn't: And to that I say nay-nay,  Nan!! Go conduct!!  Look at her being all great at the flute AND becoming a conductor! #talent

7.) Once Nan realized she could add another hat to her collection, Nan first began conducting flute choirs, first in college and then later, with her own flute students! ...and NOW? Full orchestras. Can't stop, won't stop, Nan!

8.) Despite having a messy desk (her words, not mine) filled with partially completed projects in her home office, she is very systematic and meticulous about marking her scores. She uses a Sharpie pen for meter changes, red pencil for instrument entrances/sforzandos/fortepianos, blue pencil for phrase markings/fermatas, a yellow highlighter for tempo markings/mutes/pizzicato/arco notations, and No. 1 pencils for everything else.... Well to be fair, Nan, you don't have time to clean, when you're too busy being great!

9.) Before she gets to the fun part of creating concert programming (choosing the pieces and soloists), she puts together a detailed budget for every performance with all the rehearsals and rates for hiring each musician.  Then she does a budget for buying or renting each piece of music for the season. It goes to show that a conductor does more than just stand up on a podium waving a baton and looking good, there's a lot of thought that goes into the planning and most of it rests on Nan. Thank a Nan today! (Specifically our Nan....Nan Washburn...I don't know how many Nan's you know..)

10.) While often asked “what is your most memorable performance?”, it is hard to pin down. So many concerts, so much great music, but if pushed, she might have to say that it’s the two performances she’s done of Beethoven’s 9^th Symphony with this orchestra—such a big production with a large orchestra, full chorus, soloists and that powerfully beautiful and transformative music! 

There you have it, folks! 10 super FUN and super INTERESTING facts about Nan!

It is obvious that these 10 little facts are just a few things that make Nan, Nan! She's full of fun facts and stories that I could go on for days about, but alas we all have things to do, like attending the Pop-Up Party...

Yep that's right, by the time this blog is posted, we will be hours away from the annual Pop-Up Party to celebrate the beginning of the Philharmonic Season. The party is open to all and it is a perfect opportunity to meet and mingle with other Philharmonicers as well as chat with Nan....and maybe learn a few more fun facts about her! (Pop-Up Party details at the end of the post..almost there!)

Oh, one more fact we know for sure:

11.) She LOVES the Michigan Philharmonic

If your love is as big as Nan's, come support our upcoming shows and events, all posted on the Michigan Philharmonic's website. These things are not possible without the love and support from our audiences!

Pop-Up Party Details:
September 13, 2018
7 PM
@ PARC
     650 Church St. Plymouth, MI 48170


See you there and Happy Pop-Up Partying!


#music #classicalmusic #fun #orchestra #naniversary #michiganphil #miphil #michiganphilharmonic #miphilmyway #cantstopwontstop #nan

INTERESTING INSTRUMENTS: Sousaphone

Today's instrument: the 

Sousaphone

Sousa-what?! 

Sousaphone

Contrary to what you might think, Dr. Seuss did NOT create this instrument. If he did, no doubt it would be spelled SEUSSaphone and be a pretty wacky looking instrument, having 4 or 5 bells of the instrument going every which way and featuring a super fun character playing it. (He would probably also write some snazzy lyrics to go with the music, containing the rhymiest of rhymes, naturally). AM I RIGHT or AM I RIGHT?

 Did you not think that...? Oh.....

I BET YOU'RE THINKING ABOUT IT NOW. And to you I would say, nay nay!

For starters, let me tell you what a sousaphone is:

the sousaphone is a type of tuba that contains a large, flared adjustable bell, pictured below. 

sousaphone

The pretty little thing shown above is a brass sousaphone. It is one of the lowest brass instruments. To the plain eye, it looks just like a tuba. Well, technically it IS a tuba, but there is a difference. And a fairly obvious physical difference when one sees them side by side. 

Let's clarify:

tuba

A tuba is a brass instrument that contains 3-6 brass  valves and a broad bell (the bell being the large opening of the instrument) typically facing UPWARDS. . 

FUN FACT: it is the BIGGEST instrument in the brass family as well as the LOWEST; and it plays in the bass pitch. It is also one of the LOUDEST, if featured in an orchestra. WOW, what can't this baby do?! 

sousaphone

Let's talk about the sousaphone one more time, a little more in depth:

A sousaphone is, as mentioned, a type of tuba, with their wide bell pointing FORWARD, above the player's head. It is said that the sousaphone is easier to play whilst standing, which is why you'll see this bad boy being played in marching bands.

FUN FACT: this instrument was named after composer and bandmaster John Philip Sousa (see, NOT Dr. Seuss). Pictured BELOW↙:

John Philip Sousa

The handsome devil pictured above ↑ was an AMERICAN-BORN composer. He was born in Washington D.C. in 1854 and died in Reading, Pennsylvania in 1932. I know what you're thinking... WHY does this man's name sound SO familiar?? Well, this guy wrote a little song called Stars and Stripes Forever, maybe you've heard of it! Not only did he write this super iconic and super American song, he also fought for our country! #RESPECT 

(Cue Aretha Franklin!)

Anyway, now you know the difference and a little more about the sousaphone (which you may not have actually known was the sousaphone)! So similar, but oh so different! 

BUT, GET THIS, the tuba was named after a man called John Tuba... can someone say COINCIDENCE?

Just kidding, we have Sir Wilhelm Friedrich Wieprecht and Sir Johann Gottfriend Moritz to thank for that instrument! Thanks, gents!

Next tie you're at a football game or an event with a marching band, keep an eye out for the sousaphone! Impress you friends with these awesome FUN FACTS!

Who doesn't love a good fun fact, or two, or three?

You're welcome.

The more you know!!

Fun facts about Tuba vs. Sousaphone courtesy of:

https://www.differencebetween.com/difference-between-tuba-and-vs-sousaphone/

(how convenient!)

#MyPhil #MichiganPhil #MichiganPhilharmonic #music #classicalmusic #musichistory #sousa #funfact #instrument #justdiscovered #themoreyouknow #getyourphil #classical #musician

Composer Fun Facts!

If you LOVE music and you LOVE fun facts, you have arrived at just the right place! 
Enjoy these fun facts about some of the world's favorite composers!! 
Plus, who doesn't love a good fun fact, am I right? 

*Each composer name has a link! As you read, listen to these composers! You may recognize a few of the pieces!

Gioachino Rossini

1.) Gioachino Rossini wrote the aria Di tanti palpiti while waiting for his risotto to finish cooking in a restaurant in Venice, Italy. Just for the record, it takes between 12 and 17 minutes for a chef to create an entree from the time it is ordered. This means that it took Rossini to compose most, if not all, of this piece in that time period. When you got it, you got it! 

Orlande de Lassus

2.) Orlande de Lassus was a Franco-Flemish composer who was born in 1532 and died in 1594. He was a Renaissance composer who wrote many classical-style and choral pieces. Besides being a talented musician, de Lassus actually had a beautiful singing voice. So beautiful, that as a child, he was kidnapped several times so others could profit off him! Oh, the Renaissance era!

Franz Liszt

3.) Hungarian-born pianist and composer Franz Liszt was born in 1811 and died in 1886. He began his career as a Romantic (the era....though some, especially ladies, thought he and his music were oh so dreamy) composer in 1822 at the age of 11. Throughout the rest of his career, he became so well-known (and, as mentioned, popular among the ladies), that many people would often ask him for locks of hair. When the demands got out of control, he got a dog and sent out the dog's fur instead. 

Liszt 1, Public 0.

Wolfgang Amadeus Mozart

4.) The oh so well-known Wolfgang Amadeus Mozart, is an Austrian composer who remains one of the most prolific, versatile, and popular composers of all time! So much so, that Salzburg confectioner Paul Furst created and named the infamous Mozartkugal after him in 1890! It is sold worldwide, but remains Austria's #1 chocolate sold to this day. This is technically not about Mozart's career, but do YOU have chocolate named after you?! #funfact

Havergal Brian

5.) Have you ever heard of Havergal Brian? He is a British composer who was very prolific himself, creating 32 symphonies, many of which were long and needed many people to perform it. How many people do you think that means? Try in the ballpark of about 800 people. Havergal Brian's Symphony No. 1: the Gothic, requires 800 people to perform it! Calling ALL musicians for this one!

Domenico Scarlatti

6.) Hey cat-lovers! Looking for something fun to do with your furry little friend? Look no more! Be like Italian Composer Domenico Scarlatti and create music! (or just be inspired). Scarlatti's Cat Fugue was inspired by his feline friend, Pulcinella, walking across his keys! It could have very well been an accident, but it could have also been on purpose (we don't know)! Where do you get your inspiration from? Look in unusual places....or at your cat!

Joseph Haydn

7.)We have talked about Mozart, but when one mentions Mozart, one must mention Austrian composer, Joseph Haydn. They are both famous in their own right, both composing some of the greatest pieces of all time. But, did you know they were friends?! I am talking the best of friends! They were definitely meant to be friends, as they both LOVED to joke around and fill a room with laughter. Not to mention they would get together quite frequently for jam-seshes on their violins and violas. Can you say two-of-a-kind?

Jean Baptiste-Lully

8.) Jean Baptiste-Lully was a Baroque composer who, like so many others, often got lost in his music. While off in his musical wonderland, Lully often kept time by hitting his long, sharp-ended staff against the ground. Well, one time he missed the ground and hit something else.. Yep, the sharp staff hit him right in the foot! He refused to get his foot amputated and contracted gangrene. Words of advise: Get lost in the music, let it take you away, but DO NOT use a sharp staff to keep time! On a side note, he also finished the performance before getting it looked at; what a trooper!

Antonio Vivaldi

9.) Baroque violinist and  composer Antonio Vivaldi became a priest at age 25. Although he was ordained a priest, he decided to follow his passion: music. Vivaldi composed hundreds of works and became a high influence in musical form and pattern.You go Antonio!! OH, one more thing: He was eventually nicknamed "The Red Priest," because he was (1) a red-head and (2) a priest. People are so clever!

Felix Mendelssohn

10.) Oh, you don't know Felix Mendelssohn? Have you ever heard of a little play called Midsummer Night's Dream? Yes, Mr. William Shakespeare wrote the play itself, but our dear Mr. Mendelssohn wrote the music for it.....not once, but twice! Twice? What? Yep, twice! Once upon a time, Mendelssohn's friend, Thomas Attwood, lost the original Overture manuscript for Midsummer Night's Dream. It was the ONLY copy. Oh, but no worries! Instead of freaking out, Mendelssohn just rewrote the entire piece from memory. The two also remained friends. What a guy! We all need a friend like Mendelssohn!






The more you know!

Fun Facts courtesy of:
https://www.pianotv.net/2016/12/17-interesting-facts-classical-composers/
&

https://www.classicfm.com/discover-music/latest/incredible-facts/cat-piano/

Arts Advocacy Day

Tomorrow is Michigan Arts Advocacy Day! We stand with the arts because we understand the important role that the arts play in society on all levels. Whether your attending a museum, a gallery, or a Michigan Philharmonic concert, you are supporting the local arts. It is important to support creativity in and around your community to ensure that the arts thrive across Michigan. For many years the arts have relied on patrons to support works that you enjoy every day, and funding today is no different. One of the biggest funders of the arts is the State. The State knows the impact that the arts has on the economy and supports the arts because of such. You can read more about the impact of the arts on the economy and a community here: http://www.creativemany.org/wp-content/uploads/2018/04/Fast-Facts_V4.pdf.

Luckily the proposed 2019 Michigan Budget has the $1 million one-time funding from the previous budget carried over to this year, but Creative Many is pushing for increased funding for the MCACA (Michigan Council for the Arts and Cultural Affairs) to $12.5 million. Even if you can’t join us in Lansing tomorrow, you too can help fight for the arts by contacting your lawmakers. You can follow this link to find all the ways to support the arts: https://creativemany.us8.list-manage.com/track/click?u=2692ade5856ed83d5b391ddc3&id=a1ea49118d&e=3524097f9c

We stand with the arts and @CreativeMany to support the arts and culture in Michigan. Join the conversation using the hashtags #ArtsMeanMore and #CreativeMIVotes and share why art is important to you.

Cabaret

A cabaret is a form of entertainment featuring music, dance, drama, or recitation, that is distinguished by the performance venue which is most often a pub, restaurant, or nightclub with a performance stage. The entertainment—performed in front of an audience who is often dining or drinking—is done by an ensemble and often but not always oriented towards an adult audience. Early cabarets in 16^th century Paris were much like the ancestors of the modern restaurant. Although there was no formally programmed entertainment, the customer might sing if enough wine had been consumed during the meal. In the 18^th century the café-concertor café-chantant appeared which offered food and wine like the early cabarets but also featured music, singers, and musicians. The cabaret continued to evolve, becoming a venue that combined music and entertainment with political commentary and satire. Competition from Music Halls and later motion pictures forced cabarets to put on more complex and spectacular shows. Although other cultures like Germany, the Dutch, and the British developed similar cabarets, it was the French cabaret scene that was imported to America in 1911 by Jess Louis Lasky—founder of Paramount Pictures. The American cabaret clubs turned to different styles due to the influence of jazz music and the big band scene, and Chicago cabaret especially peaked during the 20s where they were often featured as speakeasies and steakhouses during the Prohibition Era. The American cabarets never developed the social commentary level of its French predecessor, and the cabarets were soon overtaken in popularity by rock concerts, television variety, shows, and comedy theaters. Cabaret survives today in Vegas-style dinner shows, drag performances, and burlesque shows and even solo vocalist and pianist style performances in bars.

The Michigan Philharmonic is certainly not underground, and our concerts can be enjoyed by all ages, but we are throwing our own Cabaret Café April 14^th at 7:30pm with Danzones y Tango. Join us at P.A.R.C. for a night filled with great music, some delicious South American coffees and liquor, and a whole bunch of fun.

Photo via: https://en.wikipedia.org/wiki/Cabaret

Tango

Tango music is the style of music that accompanies the tango style of dance whose present forms can originated in the Río de la Plata during the mid-19^th century. While there are also styles that originated in Cuba and Spain in the 19^th and early 20^th century, all forms stress the influence of African communities on the tango dance and music, as well as the use of instruments and techniques brought by European immigrants. In its early years the tango was mostly played by and for the lower classes, but in the 20s tango spread in popularity across Europe, then the United States, and was soon considered a more respectable form of music and dance performed by and for the upper and middle class. This led to the “Golden Age” of tango music, often considered to be from 1935 to 1952. During this period tango music was performed by orquestas tipicas—orchestras that specialized in popular music of the time. These groups often included over a dozen performers. The orquestas tipicas existed very parallel to the big band era of the United States, with the most popular band leaders like Osvaldo Pugliese and Carlo di Sarli recorded many pieces with their orchestras.  Tango nuevo came to dominate the later age of tango, with composers like Ástor Piazzolla trying to create a more academic form. This style of tango music sought to break classical tango forms and create a jazz-fusion style. One of the most recent styles to emerge is the neotango style which features anything from a subtle to a dominant electronic influence pioneered by groups like Tanghetto and Gotan Project.

Join the Michigan Philharmonic April 14^th at 7:30pm in P.A.R.C. for our Danzones y Tango: A Cabaret Café as we celebrate the rhythm, passion, and soul of Latin music and feature performances from Principal Cellist Amy Kuras and vocalist Kathryn Calzone. The orchestra will be playing music from Ástor Piazzolla and Leonard Bernstein to Gloria Estefan as well as a piece by our special guest composer Ricardo Lorenz.

Photo via: https://www.flickr.com/photos/prayitnophotography/15868911669/

Ricardo Lorenz

Venezuelan-born composer Ricardo Lorenz is praised for his fiery orchestrations, harmonic sophistication, and rhythmic vitality. His compositions have been performed by many orchestras around the world, and Ricardo has served as Composer-in-Residence in several programs as well, including the Chicago Symphony Orchestra’s Armonía Musicians Residency Program, the Billings Symphony, and the Music in the Loft chamber music series. Ricardo Lorenz has resided in the United States since 1982, but he has always kept close ties with Latin America. While he was Interim Director of the Indiana University Latin American Music Center he established a network of composers from Latin America and compiled the sourcebook Scores and Recordings for the Latin American Music Center.  This was nominated to receive the 1996 Best General Reference Source Award by the Association of Recorded Sound Collections. He’s also worked with many well-known Latin-American musicians including Tito Puente, David Sánchez, and Claudia Pérez. He holds degrees from and has taught at both the University of Chicago and Indiana University, and is currently Associate Professor of Composition at Michigan State University. The Michigan Philharmonic will be performing Ricardo Lorenz’s piece Habanera Science during the April Concert Danzones y Tangos: A Cabaret Café on April 14^th at the P.A.R.C. at 7:30pm.

photo via: Sergei Kvitko